Guide for organizers
How to calculate an event's carbon footprint step by step
A well-calculated carbon footprint tells you where your event's CO₂ comes from and how much there is. A poor one, or none at all, leaves you with nothing to base decisions on and no answer when a sponsor, a city council or a ticketing platform asks for the figure.
The usual problem is not a lack of willingness. The calculation mixes very different categories (electricity, catering, build, artist travel, audience travel), each with its own data sources and emission factors, and hardly anyone defines up front what is in and what is out.
This guide walks through the whole process: the calculation boundary, the GHG Protocol scopes, the data you need, emission factors, the weight of attendee transport, what to do when data is missing, a sample report and how to reduce and communicate without overstating.
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What is an event's carbon footprint and what is it for?
An event's carbon footprint is the total amount of greenhouse gases generated by staging it, from build to teardown and from venue energy to the journey of every person who attends. It is expressed in tonnes of CO₂e: CO₂ equivalent, a single unit that adds up CO₂ and the other greenhouse gases according to their warming potential.
Calculating it supports three concrete decisions:
- Comparing editions. With the same boundary and the same criteria, this year's footprint against last year's shows whether you have improved or only tried to.
- Reporting to sponsors, councils and partners. A figure documented with its method survives an awkward question. A general sentence about “sustainability” does not.
- Deciding where to act. Emissions are not evenly spread. Knowing which category weighs most stops you investing in the measure that sounds best rather than the one that reduces most.
An event footprint is neither a certification nor an audit. It is an inventory: a table of categories, data, factors and results that someone else could repeat. If a sponsor, an authority or a ticketing platform requires a specific format or verification, ask them what they need before you start, because what is required depends on who is asking.
What goes into scopes 1, 2 and 3 for an event?
The GHG Protocol divides emissions into three scopes according to who controls them: scope 1 covers direct emissions, scope 2 covers purchased electricity and scope 3 covers all other indirect emissions in the value chain. These are its official definitions and how they apply to an event:
| Scope | Official definition | What goes in for an event |
|---|---|---|
| Scope 1 | Emissions from operations that are owned or controlled by the reporting company. | Fuel for generators you own or operationally control, your own production vehicles, boilers or generator sets run by your organisation. |
| Scope 2 | Emissions from the generation of purchased or acquired electricity, steam, heating or cooling consumed by the reporting company. | Grid electricity you buy for the venue, the production and the organisation's offices, plus purchased heat or cooling. |
| Scope 3 | All indirect emissions (not included in scope 2) that occur in the value chain of the reporting company, including both upstream and downstream emissions. | Audience travel, travel by artists, crews and suppliers, catering, waste, build materials, accommodation, merchandise and communications. |
Source: GHG Protocol, Corporate Value Chain (Scope 3) Accounting and Reporting Standard (2011), glossary. The Corporate Standard (2004) describes scope 3 as an optional reporting category. The application to events is our own.
There is a caveat about the audience. The GHG Protocol does not mention event attendees: its closest example is customers travelling to retail stores. Classing audience travel as scope 3 comes from the “Event Industry Scopes” scheme in Vision:2025, reproduced in the onboard:earth guide (2024), which places audience, crew and supplier, and artist travel in scope 3. The same guide adds that, even though it is scope 3, the organiser should do everything possible to influence those emissions through incentives, strategy and policy.
Before allocating sources to scopes, set your control criterion. A rented generator operated by your supplier can be scope 1 or scope 3 depending on whether you use operational or financial control. Which one you choose matters less than writing it down and applying it the same way every edition.

How do you calculate an event's carbon footprint step by step?
The calculation always follows the same logic: you define what you measure, collect activity data, multiply it by emission factors and document every decision. These are the nine steps, in the order in which it is best to take them:
Define the calculation boundary
Decide which event, which days (build and teardown included) and which sources are in. Set the control criterion (operational or financial) and note what you leave out and why. A clear boundary is what makes two editions comparable.
Collect the activity data
Gather the physical quantities by category: kWh, litres of fuel, kilos of waste, hotel nights, kilometres and transport mode. Note the source of each figure (invoice, supplier report, survey, estimate) and who provided it.
Choose the emission factors
For each activity, pick a published factor for the year of the event from a recognised source. Use as few sources as possible and record which one you used, with its version and date.
Calculate by category
Multiply each activity figure by its factor: emissions = activity data × emission factor. Do it category by category and scope by scope, not with a single overall total, so you can see what weighs most.
Add up and interpret
Add the categories by scope and in total. Work out each one's percentage of the total and rank them from largest to smallest. That ranked list is the basis of your reduction plan.
Set the intensity
Divide the total by attendance-days (attendees per day multiplied by event days) and, if you need to, by unique attendees. Intensity (kg CO₂e per attendance-day) lets you compare editions of different sizes.
Document the assumptions
Record every assumption: average car occupancy, the distance assumed for people who did not answer the survey, the split of transport modes, the factor used. Without written assumptions, nobody can repeat or defend the calculation.
Compare with the previous edition
Compare only on the same boundary and the same criteria. If you have changed factor source or method, recalculate the previous edition with the new criteria before comparing.
Set measurable targets
Turn the result into concrete goals by category: for example, raise average occupancy per car or lower the intensity of audience transport. Define the indicator, the starting value and the review date.
What data do you need and where does it come from?
You need one activity figure for each emission category, and most already exist in invoices, contracts and supplier records; audience transport is the exception, because it is almost never recorded. This table summarises what to ask for, from whom and how hard it is to get:
| Category (scope) | Activity data | Usual source | Difficulty |
|---|---|---|---|
| Electricity (2) | kWh consumed during the event period | Utility invoices or meters; temporary installation supplier | Low |
| Fuel for generators and own vehicles (1) | Litres by fuel type; kilometres of own vehicles | Fuel delivery notes, generator rental reports, fleet records | Low to medium |
| Catering and drinks (3) | Servings, kilos or litres by product type; plant-based and animal-based share | Orders and delivery notes from the caterer and bar operators | Medium |
| Waste (3) | Kilos by stream (residual, packaging, organic, glass) and destination | Waste contractor's report | Medium |
| Build and materials (3) | Kilos or m² by material; what is reused and what is new | Stage, production and signage suppliers; build inventory | High |
| Accommodation (3) | Room-nights for artists, crew and staff | Production and hotel bookings | Low |
| Audience transport (3) | People by mode, round-trip distance and car occupancy | Postcodes from ticketing, survey, volunteer counts, parking and coach sales | High |
| Travel by artists, crews and suppliers (3) | Kilometres, vehicle type, flights and freight carried | Rider and production logistics; transport agencies | Medium to high |
| Other (3) | Staff travel, printing, merchandise, communications | The organisation's accounts and purchasing | Medium |
Indicative difficulty. In practice, audience transport depends on how thousands of people arrive, and the build depends on suppliers measuring their materials.
Start with the categories where the data is easy and ask for the rest well ahead. Send suppliers, before the event, a sheet with exactly what you need: units, period and format. Asking for invoices after teardown often means not receiving them.
Which emission factors should you use, and why not mix sources?
An emission factor converts a quantity of activity (a kWh, a litre, a passenger-kilometre) into kilos of CO₂e, and its source and year shape the final result as much as the figure you measure. It must correspond to the year the event took place, because factors such as electricity change every year with the generation mix.
Where to find them in Spain:
- Official factors for the relevant year. For fuels and electricity in Spain, use the official emission factors published by the authorities, always for the year the event took place. Check which scopes each tool covers: if it does not include scope 3, it does not cover audience transport.
- Your electricity supplier's mix. The electricity factor depends on the supplier and the year; look it up on your invoice or ask your supplier.
- IDAE. Its conversion factor table gives emissions per passenger-kilometre for cars, buses, trains and other modes. Use it citing its stated purpose (MOVES programme projects) and the version you consulted.
- DEFRA (United Kingdom). The onboard:earth guide (2024) says these factors can be used across Europe although they are based on UK averages. If you choose them, record it as a limitation.
This table shows IDAE factors for some modes. It helps you see the order of magnitude and the importance of occupancy; it is not for copying values without reading the source:
| Mode | Assumed average occupancy (people per vehicle) | g CO₂ per passenger-km |
|---|---|---|
| Car | 1.2 | 120.7 |
| Intercity bus | 24 | 32.0 |
| Company bus | 25 | 35.1 |
| Urban bus | 20 | 49.4 |
| Commuter rail (per carriage) | 25 | 32.8 |
| Metro or tram (per carriage) | 30 | 29.6 |
| Motorbike | 1 | 52.5 |
| Electric car | 1.2 | 42.5 |
Source: IDAE, Conversion factors for calculating energy savings and CO₂ emission reductions (electronic office, February 2024 version). The document has no row for a shuttle or a long-distance chartered coach: the closest is the intercity or company bus.
The IDAE car factor (120.7 g per passenger-km) is calculated with 1.2 people per vehicle, which equals about 144.8 g per vehicle-km (120.7 × 1.2, a derived calculation). If the cars arriving at your event carry more people, the per-person factor falls almost in proportion: for the same car, 3 people would give about 48.3 g per passenger-km and 4 about 36.2 g (144.8 ÷ 3 and ÷ 4, simplifying that consumption does not depend on load). That is why real occupancy matters more than any factor.
Why is audience transport usually the heaviest category?
At UK music festivals, audience travel is the largest category of the footprint: 64% of an average of 15.9 kg CO₂e per person per day, according to The Show Must Go On, Edition 3 (Vision for Sustainable Events, 2026). It is a figure for that country and that type of event, useful as a signal of where to look first and not as a number for yours.
The reason is scale. Thousands of people make a round trip to the same place at the same times, largely in cars with few occupants. At UK music festivals with camping between 2010 and 2014, the sector average was 2.6 passengers per car, according to the 2015 Powerful Thinking report, and the same report estimated that raising it to 3.5 would cut audience travel emissions by 20% for that set of festivals. As a general reference, the European Environment Agency cites average car occupancy of around 1.5 people (EEA, report 19/2020).
There is another reason it weighs on the result: it is the category you control least. The 2015 report stresses that audience travel is not strictly an operational emission and is not under the organiser's direct control. That is why it is measured less and reduced less, even though the 2026 report calculates that a 32% cut in audience travel emissions would reduce sector emissions by nearly 20%. The onboard:earth guide (2024) adds that the best results in encouraging sustainable travel come at the ticketing stage.
To estimate your audience's transport you need four pieces of data per group of attendees: where they come from, which mode they use, how many kilometres they travel (round trip) and, if they go by car, how many people are in each vehicle. Each group's emissions are people × kilometres × factor per passenger-kilometre and, for cars, factor per vehicle-kilometre divided by occupancy. Ticketing postcodes let you calculate straight-line distances, an approximation that understates the real route: say so in your assumptions. For the process in more detail, see the guide on attendee transport emissions.
Free toolAttendee transport emissions calculatorEnter attendees, origin, modes and occupancy to get a first estimate of your audience's transport emissions and see which variable weighs most.What do you do when data is missing?
When data is missing, estimate with an explicit method, calculate a range instead of a single number and document every assumption. A result with declared uncertainty is worth more than one that looks exact but nobody can reproduce.
For audience transport, the onboard:earth guide (2024) suggests combining several sources:
- Ticketing postcodes. Ask your ticketing platform for those of all tickets (or of parking passes) and calculate distances.
- Survey. Ask how each person arrived, from where and, if by car, how many were travelling. It can be done at the event or in a follow-up email.
- Volunteer counts. At the entrances, count how many people arrive on foot, by bike, by train or by car.
- Sales data. If you charge for parking or sell coach seats, ticketing already knows how many spaces and how many people there are.
Then work with ranges. Calculate a low, a central and a high scenario by changing only the most uncertain assumptions (typically average occupancy and the distance for people who did not answer). If the range between low and high is very wide, that category deserves better measurement next edition.
Label each category with the quality level of its data: measured (invoice, meter, record), estimated (sample or survey) or assumed (no data of your own). With that column, the report reader knows which parts are firm and which are a first approximation, and you know where to invest next edition to improve measurement.
What does a festival's footprint report look like? An illustrative example
A good footprint report fits in a table: categories, scope, emissions, percentage of the total and intensity per attendance-day. This is the structure, with hypothetical figures and no emission factors, so you can see how it reads:
| Category | Scope | t CO₂e | % of total | kg CO₂e per attendance-day |
|---|---|---|---|---|
| Fuel for generators and own vehicles | 1 | 54 | 6% | 0.9 |
| Purchased electricity | 2 | 18 | 2% | 0.3 |
| Catering and drinks | 3 | 126 | 14% | 2.1 |
| Waste | 3 | 18 | 2% | 0.3 |
| Build and materials | 3 | 108 | 12% | 1.8 |
| Accommodation for artists and crew | 3 | 36 | 4% | 0.6 |
| Travel by artists, crews and suppliers | 3 | 72 | 8% | 1.2 |
| Audience transport | 3 | 468 | 52% | 7.8 |
| Total | 1, 2 and 3 | 900 | 100% | 15.0 |
Hypothetical figures, with no reference value. Attendance-days: 20,000 people per day × 3 days = 60,000. Scope 1: 54 t (6%); scope 2: 18 t (2%); scope 3: 828 t (92%).
What real carpooling data can you bring into scope 3?
The hardest figure to obtain for scope 3 is the real occupancy of the cars arriving at the event, and that is where organised carpooling provides measured information instead of assumptions. Without it, the calculation starts from a generic average occupancy and the whole category inherits the uncertainty.
To bring this data into your report, replace your occupancy and distance assumptions with the values measured on the shared trips and make clear in the data sheet which part of the audience is measured and which is estimated. CO₂ avoided is a reduction against the scenario in which each passenger would have travelled on their own by car. Present it as a separate indicator with its method, and do not subtract it from your gross total without explaining it.
If you do not yet have a plan for audience transport, the guide to sustainable event mobility summarises the options and how to combine them, and the one on shuttle buses vs carpooling helps you decide the role of each.
How do you reduce the footprint by category and communicate it without greenwashing?
The most effective reductions come from acting first on the category that weighs most in your results table, and communicating them with the same method you used to measure them. This table links each category to common levers and to the indicator that shows the effect. To organise the transport measures in a working document, start from the event mobility plan.
| Category | Common levers | Indicator |
|---|---|---|
| Audience transport | Coaches and shuttles; entry packages that include transport; carpooling; paid parking, with a surcharge for empty cars or priority for full ones; secure bicycle parking; communication from the ticket sale | Average occupancy per car; share of the audience using shared modes; kg CO₂e of transport per attendance-day |
| Electricity and fuel | Grid connection wherever possible; generators sized to real demand; switching off equipment not in use | kWh and litres per attendance-day |
| Catering and drinks | Lower-footprint menus; quantities matched to attendance to cut waste | kg CO₂e per serving; share of plant-based offer |
| Waste | Source separation; reusable tableware; less single-use packaging | kg of waste per attendance-day; share recovered |
| Build and materials | Staging reused across dates and editions; hiring instead of manufacturing; second-hand materials | Share of material reused |
| Travel by artists and crews | Consolidating loads; coordinating tour dates; avoiding empty runs | Freight kilometres per show |
The audience transport levers come from the measures listed in the onboard:earth guide (2024). The rest are common industry practices, with no associated reduction figures.
When communicating, follow a few simple rules that protect your credibility:
- Publish the boundary and the method. Say what the calculation includes and excludes, and which sources the factors come from.
- Give totals and intensities together. A lower intensity with a higher total is an efficiency gain, not an absolute reduction, and it is worth saying so.
- Compare only with your own earlier editions, on the same criteria, not with events of a different size or format.
- Do not use other people's figures as if they were yours. The UK's 64% does not describe your festival.
- Separate reduction from offsetting. Report offsetting separately and do not present it as a reduction of your gross footprint. Avoid saying the event is “carbon neutral” unless you can back the method.
- Acknowledge uncertainty. A sentence such as “part of the transport data is estimated, within this range” builds more trust than a total with no caveats.
What mistakes keep recurring when calculating an event's footprint?
The most common failures concern the boundary and the data, not the formula. Check this list before accepting the calculation:
- Leaving out audience travel because it is hard to measure, when it is usually the heaviest category.
- Mixing factors from different sources or years without documenting it.
- Comparing editions on different boundaries and attributing the difference to a real improvement.
- Counting the same source twice, for example a generator in scope 1 and again as a supplier service in scope 3.
- Presenting estimates as measurements, without saying which part of the data is assumed.
- Waiting until the end to collect data. Surveys and counts are designed before the event; so are supplier invoices.
- Not saving the assumptions, so the next edition cannot repeat the calculation.
VIB3S
Where does VIB3S fit in your carbon footprint calculation?
If audience transport is the category that weighs most in your footprint, VIB3S is the carpooling platform for events that we recommend for acting on it and measuring it. Attendees share a car with other people going to the same event from a free app (iOS and Android) or from a web widget that integrates into your website, ticketing or emails with a single line of code, with nothing to download to view and request trips.
VIB3S builds your event's community and has the widget ready in under 24 hours. The driver splits the real trip costs (fuel and tolls) with passengers, and VIB3S complements public transport and shuttles; it does not replace them. With the completed trips, you receive the data your scope 3 calculation needs:
- Geographic origin of the audience.
- Arrival and departure time slots.
- Trips with the highest demand.
- Average occupancy per vehicle.
- Shared kilometres and cars avoided.
- CO₂ avoided, calculated and validated over completed trips.
Sources
- WRI and WBCSD, The Greenhouse Gas Protocol: A Corporate Accounting and Reporting Standard, revised edition (2004)
- WRI and WBCSD, Corporate Value Chain (Scope 3) Accounting and Reporting Standard (2011)
- Vision for Sustainable Events, The Show Must Go On, Edition 3: Quick read (2026)
- Powerful Thinking, The Show Must Go On: Environmental Impact Report and Vision for the UK Festival Industry (2015)
- onboard:earth, Green Travel & Transport Guide for Events, 4th edition (2024)
- CAST and Julie's Bicycle, From carbon footprints to cultural influence: engaging live music audiences on travel choices (2022)
- IDAE, Conversion factors for calculating energy savings and CO₂ emission reductions (electronic office, February 2024 version)
- European Environment Agency, Transport and environment report 2020: Train or plane? (EEA Report 19/2020)
Frequently asked questions
Event types
VIB3S adapts to your type of event
The same mobility and community solution, adapted to the real problem of each sector. Pick yours to see its specific case.
Are you planning the mobility of an event?
Tell us your capacity, venue and where your audience comes from and we will show you which carpooling data you can add to your carbon footprint calculation.